Japaridze Tarot
I am in the process of creating a multi-purpose story spread as part of a bigger project so each day I test it from different perspectives using different decks. This morning when I turned to grab a deck my hand rested on the Japaridze Tarot. And, to be honest, my first reaction was “pick again.” Fortunately I didn’t. I trusted my process — work with whichever deck stands out to me. Surrealist art draws me in because it challenges me. With a headache, and a lingering viral-type illness, I wasn’t feeling the need to add any additional challenges, so I was pleasantly surprised to discover I hadn’t. This deck spoke to me so loudly and so clearly that I felt compelled to write about it now.
Straight up, I’ll admit that I know this deck won’t be for everyone. But for those whose interest it piques — I doubt you will be disappointed.


The Japaridze Tarot Cards
I’ve had the Japaridze Tarot for a few years, and each time I pull it out, I admire Nino Japaridze’s artwork. Slated as collage-style surrealism, she uses a combination of gouache, ink, collage, acrylic, and oils to share her vision of each card. Unlike The Dreamkeepers Tarot and the Surrealist Tarot, I would also say that this deck is a combination of art styles but is does have surrealist elements on many of the cards.


Some cards, such as the Three of Tides are straight up gouache paintings, whereas others, such as the Seven of Winds use a combination of gouache, ink and collage. Each entry in the guidebook tells the mediums chosen and the size of the original artwork for those like me that are curious.


Name changes – Major Arcana
While for the most part the cards follow traditional meanings she has deviated with some. For example, IV The Emperor has been renamed IV War. And, as can be seen from the image, takes quite a harsh stance in regards to masculine energy. That might not gel with some, however, she doesn’t take a negative stance to the Kings or male energy in general. In regards to this card book author, Steve Lucas, writes as part of his description of the card:
There are of course both positive and negative characteristics of authority and control. The artist has chosen in this work to portray a particular view of social order wherein emperors send other men off to war. While this is certainly a less harmonic facet of patriarchal power, it is important to note that this card speaks to the entire spectrum of unpredictable outcomes that may result from the utilization of force in the attempt to control or maintain order.
When I first saw this image I baulked because I felt it was way too limiting but Steve Lucas’s description helped me to see it differently. Most of us won’t be in a position to send people to war but that doesn’t mean that our actions don’t have the potential to negatively affect other’s sense of wellbeing. I live with my four grandchildren — aged between 4 and 8 — and sometimes when I’m tired, stressed, frustrated and missing my peace and quiet it is easy to forget that they are just little people trying to exert some control over their lives. This image speaks to that for me.
Right on cue, Zayne, aged 5 just came to my office door and said unprompted “I love you Nanny.” I stopped writing. So, point made. I have to admit I do wonder who really runs the show though.


Deck Structure
The deck is elementally based, although rather than naming the suits Air, Fire, Water and Earth she chose Winds for Swords, Tides for Cups and Gardens for Pentacles. She has stuck with Fire for Wands. Apart from the Winds suit that often features bats, there is no obvious motif for the other suits.


The Court also has some name changes. Pages are Jesters and Knights are Strangers. I can see the relationship between Jester and Page because I connect them with Fool energy and the idea of having no preconceived notions of how things are. Therefore, for me, this name change adds something to the interpretation and it serves as a great reminder of the energy. Strangers on the other hand I’m not as convinced about. The need to get to know the energy comes to mind but it is a forced layering rather than an intrinsic one for me. That may change though. The Kings and Queens retain their usual titles.
In the Japaridze Tarot Justice is VIII and Strength is XI. I don’t tend to relate to them in that way, as few of my decks follow that order, but I don’t have an issue with working with this numbering. It does change how I see the cards slightly though because of the cards they now sit alongside in the Major Arcana.


Physical elements
The Japaridze Tarot cards are not borderless. I trimmed the white borders from mine and edged them in a sunflower yellow. Usually they look something like the image above without the slight yellow bleed around the edges. Mine measure 6.75 x 12.75cm whereas the original measures 7.75 x 13.5cm. It’s not that they were unwieldly in the bigger size, I was just going through my, aagh-I-really-don’t-like-white-borders phase. It hasn’t completely gone away, but I don’t automatically reach for the scissors anymore.
The cardstock is on the thicker side but it is still easy enough to work with and shuffle in any manner. Plus it fans well and is quick to flick through. I like that in a deck because it makes any approach to reading the cards so much smoother.
My interpretations/comments on some card pairings


XX Judgment & Stranger of Gardens
When I first looked down at the Judgment card I saw bats – talk about being pre-conditioned – but then I realised they were birds. That struck me for several reasons. Firstly, the whole pre-conditioned idea suggests just naturally doing what I think I should be doing rather than what I want to do. And secondly, since bats rely on a specialised sense to navigate seeing them as birds suddenly felt more open. Also the birds are moving towards the light whereas bats are nocturnal and thus stay in the shadows. This felt highly relevant.
Then I noticed the “face” in the top right hand corner and saw it as bringing the “demons” to light so you can move them on. This felt like a call to do so. Plus, this Stranger of Gardens feels light which isn’t something I’d normally equate with the energy of this card. But seeing the butterfly and the bird and the flowers being carried along makes it feel calm, transitional, freeing, blossoming. There’s also a strange sense of knowing the way.
The shells also stood out to me because I have several of those very shells in my crystal cabinet. They sit next to my rose quartz generators.
Therefore for me this pairing is suggesting, rather than having a plan, have an intention, one that is focused on following your heart and then going wherever that takes you. Don’t be in a hurry. Just keep moving forward. The bird on the Stranger of Gardens is looking back towards the light section on the Judgment card which serves as a reminder to remember where you’re thoughts and intentions are coming from.


Queen of Winds & Ten of Fire
My first thought when I saw the Queen of Winds with her hand up as if saying no was “rigid thinking, shutting others out.” Next to the Ten of Fire that fear seemed linked to the idea of getting backed into a corner. In other words it felt defensive rather than powerful and intentional.
Looking at the Ten of Fire I found myself mentally moving the chess pieces around using only what I could see. So not only was I trapped as the King, I was trapped as the other pieces as well. It was frustrating. Plus I realised I was potentially working with such a false picture. I didn’t know if they were the only pieces available to me therefore I had no idea who I could call on to help. More surprising still, I initially interpreted the knight as opposing the King. I didn’t notice he too was gold.
My take away? That closed thinking can lead to a belief that everyone is against you rather than considering who might be there to help. Just like the chessboard, it is a very limiting viewpoint.


Three of Gardens & II The Priestess
This Three of Gardens took me straight to reading Foucault’s Order of Things and his discussions on Las Meninas. So for me this card is, in part, linked to university and therefore study and skill building. I’m sure that wasn’t the intention. But it also goes deeper than that. Someone is observing that scene in order to paint it. They can see the bigger picture. The empty frames serve as a reminder that they get to decide how they frame the image and therefore the story that is told (School history education just came to mind as I wrote that).
The Priestess is a reminder to consider what is hidden. Further, the way this card presents is a reminder to consider what is being made more confusing than it needs to be and how and why that might be happening. There is also an internal element to that. Are you clear on what you are trying to create or is it still hidden from view?


The Japaridze Tarot Guide Book
The Japaridze Tarot comes with a 180-paged, perfect bound, approximately A6-sized, full-colour guidebook. Steve Lucas pays tribute to artist, Nino Japaridze, in many ways throughout the book, starting with explaining how to correctly pronounce her name — Jah-Pah-REED-Zeh with an emphasis on the third syllable and to a lesser extent on the fourth.


Next he moves on to a discussion about the “small round object[s] clearly in motion, perhaps metallic in nature, and with bands of markings around [their] circumference.” These feature on several of the Major Arcana cards such as the two pictured above. He feels they represent “a kind of greater intelligence either from another time or perhaps even beyond time as we know it.” Later he adds that he senses they observe without intervening and Nino agrees with his thoughts on them. For her they appeared “spontaneously without any conscious intention on her part.” This made me more curious about them.
He follows this with information about the deck structure and a couple of pages on “The Road to Japaridze” which as the name suggests tells the story about how the deck came to be. For the most part the introductory sections are a homage to Nino Japaridze. Next come the card meanings.
Card Meanings
The layout is the same for both the Major and Minor Arcana entries. On the left hand page is a full colour reproduction of the card with the information on the right. Rather than write about it I will share the full entry for the Two of Tides.

Two of Tides
(Deux des Marees)
9 1/2″ x 5 1/2″ (24 x 14cm)
gouache and ink
A dog and a wolf meet in a loving and affectionate encounter. This is a card of partnerships or unions. These relationships provide an opportunity for one to learn, examine, and appreciate the similarities and differences we share with those close to us.
Another engaging duality explored in this card is the relationship between the wild nature of the wolf in contrast to the domesticity of the dog. This is of great interest to the artist. Nino identifies strongly with the wolf and considers it her spirit animal.
Divinatory Meanings:
Love and commitment. A bond formed. Establishing a new partnership or joint project. Forgiveness for a past slight. Avoid isolation. Look for connections. Mutual assistance. Attraction of opposites.


The book wraps up with two final sections. The first has custom spreads designed by Lynn Araujo and Jody Boginski. One is the Four Winds Spread designed for use when you’re feeling pulled in different directions and the other is the Fire and Smoke Five-card Spread. The latter is “to help you separate what is essential for completion of your projects from what is illusion and distracting you from your goals.” Secondly their is an About the Artist section which provides a resume-like breakdown of Nino Japaridze. Her personal information, education, solo exhibits, and group exhibitions are included here.


My final thoughts on Japaridze Tarot
So how do I sum up a deck like Japaridze Tarot? It is hard to classify. Some of the artwork is highly evocative. Other cards are beautiful in their simplicity and yet still full of meaning. While others I found confusing and I really had to take the time to feel my way into them.
As I’ve shown earlier, geometric cards such as X The Wheel sit alongside surrealist images such as XXI The World which also sit alongside full combinations of the chosen mediums —acrylic, gouache, ink and collage — such as you can see in the Eight of Winds.
It sounds like it shouldn’t all go together but it does albeit I can’t explain how or why. Maybe that’s the ultimate surrealistic aspect of the deck.
It surprised me with how open and chatty it was when I used it in the reading that precipitated me writing this review. So I can’t say it is difficult to work with. Nevertheless, even though it has a user-friendly guidebook, I wouldn’t recommend this to someone starting out with tarot simply because there are no recurring images, apart from bats, to ground your practice or guide your way. Even though the cards freely talk to each other, you have to find the connections. I love that now, but I think it would have blown my mind in my early days. It still does now but in a good way!


Summaries
Japaridze Tarot cards
| Artist | Nino Japaridze |
| Card Size | Untrimmed 7.75 x 13.5cm |
| Card Stock | Satin finish |
| Shuffle | Easy to shuffle in any manner |
| Fan & Flip Through | Fine to fan and flip through |
| Suits | Gardens, Winds, Fire & Tides |
| Court | King, Queen, Stranger & Jester |
| Strength / Justice | Justice VIII; Strength XI |
| Miscellaneous | Solid flip open box |
Japaridze Tarot Guidebook
| Written by | Steve Lucas |
| Pages | 180 pp |
| Appearance | Full colour, A6 sized book |
| Spreads | Four Winds Spread (4 cards) Fire and Smoke Five-card Spread |

Publishing Details
Created by:
Nino Japaridze with text by Steve Lucas
Pictured Version:
Revised edition published by US Games Inc in 2020
ISBN 13: 978-1-57281-780-7
Websites:
Nino Japaridze via Steve Lucas’s Gallery of Surrealism website


